Ronnie Gotcha x Odeljones | Music is the Biggest Glock, vol. 2 🔫 Rap Nerd Reviews

In the landscape of hip hop, things always change. One thing that has always been consistent is that there’s always been a divide between music made fto satisfy the charts and music made to nourish the soul. Colorado Springs duo Ronnie Gotcha (emcee) and Odeljones (producer) land firmly in the latter with their collaborative project Music is the Biggest Glock, Vol. 2. With14 tracks and a runtime of about 36 minutes, the album wastes no time making statements of truth. When placed in the right hands, hip hop is the biggest weapon speak out against what's wrong with uis all as people, and what needs to change in society. The project is very intentional and seems to have a goal of opening people's eyes to what they may have previously been blind to.

From the opening moments, it’s clear this isn’t surface-level rap at all. Ronnie delivers bars that cut into topics most artists tiptoe around or don't bother to mention. Ronnie is questioning cultural traditions, holding himself accountable, and pointing fingers at the systems pulling society’s strings. He challenges the listener to not only nod their head to the beat but also reflect on what’s being said. That’s the mark of an emcee who wants to use their skill and voice to uplift others.

Odeljones provides the perfect canvas for this kind of lyricism. His beats drenched in soul, warm baselines, and grooves that feel timeless. Rather than overwhelming the listener, his beats create room for Ronnie’s dense verses to breathe. Some beats don't even have drums, or have very suttle drums, which I personally think is dope. The chemistry between rapper and producer is undeniable here. The beats don't just support the rhymes, they elevate them by giving each track a smooth texture.

Standout Tracks

One of the strengths of MIBG2 is its thematic range. On my personal favorite track on the album "Catfish", Ronnie critiques the cultural attachment to soul food. He points out how the very meals passed down as tradition are also contributing to health issues in the Black community. On another, he turns the lens inward, admitting that he too has neglected his health and needs to make better choices. The duality of calling out the problem while admitting personal complicity gives the album authenticity.

On another standout track, "Axxess of Evil", Ronnie speaks on the corruption of the Federal Reserve, the power of central banks, and the invisible systems that dictate the way people live and struggle. These aren’t casual bars, he aimed to hit the gut every bar. The raps are dense, well researched, and delivered with the cadence of someone who’s been studying both history and current events. It feels like he's being a teacher, but still never comes off too preachy.

A powerful ode to his mother called "Ms.Inez "provides the emotional center of the project. Here, he trades sharp critique for raw vulnerability, painting a portrait of love, gratitude, and the complicated dynamics of a mother and son relationship. It’s tracks like this that prevent the album from feeling one-dimensional, reminding us that truth-telling isn’t just about the system, it’s also about honoring the people who shaped us. The last track on the album is called “Zoom Out” It's of the most poetic and uplifting moments on the album, “Zoom Out” urges listeners to step back and appreciate the beauty of life from a higher perspective. Over a smooth, eccentric beat, Ronnie drops wisdom with lines like,

“We gotta take back what’s ours, when the power of love overcomes the love of power.” 

The track encourages us to view the world from a bird’s-eye perspective, to see beyond the distractions and recognize the deeper truths at play. He closes with a powerful reminder: “The planet don’t belong to one person more than it belongs to someone else.” It’s real talk that grounds the album’s heavier themes with a sense of hope and unity.

Final Thoughts

What makes Music is the Biggest Glock, Vol. 2 truly special is its balance. On one hand, it’s a collection of sharp critiques and heavy truths that force the listener to confront uncomfortable realities. On the other, it’s a deeply human project layered with personal reflection, gratitude, and emotional honesty. For me, that duality is what separates good albums from great ones.

In a hip hop climate where the mainstream often prioritizes vibes over vision, Ronnie Gotcha and Odeljones stand tall as proof that substance hasn’t gone extinct. With soulful production, elite lyricism, and themes that stretch beyond the surface, MIBG2 is a project that deserves to be heard, studied, and revisited.

RAP NERD RATING 5/5 #RapNerdApproved #UndergroundClassic CHECK OUT THE ALBUM, AND GET IN TOUCH WITH RONNIE GOTCHA & Odeljones 👇🏼

https://musicisthebiggestglock.com/

If you’re searching for hip hop that feeds your mind as much as your ears, Ronnie Gotcha and Odeljones have delivered one of the most compelling albums of the year. So says myself, the self proclaimed Rap Nerd.

Derek “D-Sick” Moore

Rap Nerd CEO